Three Actors. Two Households. One Absolute Banger. This summer, Act VI presents an homage to the raucous and interactive origins of live performance, inspired by punk rock and staged outdoors, sans fourth wall, to tell The Tragedie of Romeo & Juliet.
What was Shakespeare before stage lights, microphones and the Fourth Wall? Before he was revered and canonized, Shakespeare’s plays were raucous, irreverent and relevant. When first staged in 1596, Romeo and Juliet referenced contemporary politics and the eternal human condition.
Much has changed since the 16th century, yet The Tragedie of Romeo and Juliet remains poignant and powerful — an autocratic Prince, an optimistic proselytizer, a loving nurse, and two star-crossed lovers. A … view more »
What was Shakespeare before stage lights, microphones and the Fourth Wall? Before he was revered and canonized, Shakespeare’s plays were raucous, irreverent and relevant. When first staged in 1596, Romeo and Juliet referenced contemporary politics and the eternal human condition.
Much has changed since the 16th century, yet The Tragedie of Romeo and Juliet remains poignant and powerful — an autocratic Prince, an optimistic proselytizer, a loving nurse, and two star-crossed lovers. A handful of players will take to the streets, harnessing ancient theatrical techniques from European and Chinese traditions, to tell this story of love, violence and tragedy.
Whether you’re in Verona or Toronto, one thing is certain: The day is hot, the Capulets abroad.
Oh, and it’s FREE!
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Our August performances are generously supported and partially funded by the Old Town Toronto BIA in Association with Alumnae Theatre Company.
August performances location: St. James Park – 120 King Street East (at the Michael Comstock Pavilion)
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